January 26, 2010
Thatcher Harrison Live @ Custom House Coffee
PORTSMOUTH, R.I. - If you're looking for a way to battle the winter doldrums, eight-year old Thatcher Harrison is at it again. Saturday, January 30, Thatcher will take to the Star Performer stage for an hour-long, solo performance. The show starts at 3:00, when emcee Gary Fish will play a set of his compositions, including, just perhaps, he's newest hit, "Poppin' in and Poppin' Out." At around 3:50, Gary will interview Thatcher. And, then, Thatcher's show will start at 4:00.
At his performance, Thatcher will play two guitars, one ukulele, and a couple of harmonicas. And he has decided to perform songs by the Beatles, Simon and Garfunkel, Donovan, Jim Croce, Cat Stevens, Eric Clapton, Johnny Cash, and Rhode Island's own Manny Perry.
About the venue: Custom House Coffee is a nice and cozy coffee shop in Portsmouth's newly-built Clock Tower Square. They make a mean cup of coffee, serve delicious teas, and have tasty foods (salads, pastries, quiches, sandwiches, gelato).
Custom House Coffee
600 Clock Tower Square
West Main and King Charles
Portsmouth, RI
401-682-2600
January 13, 2010
Soul singer Teddy Pendergrass dies in Pa. at 59
PHILADELPHIA (AP) — A relative says soul singer Teddy Pendergrass has died in suburban Philadelphia at age 59. The singer's son, Teddy Pendergrass II, says his father died Wednesday at Bryn Mawr Hospital. After undergoing colon cancer surgery 8 months ago, Teddy was battling a tough recovery from the procedure.
Teddy Pendergrass worked local Philly clubs and later became drummer and vocalist for Harold Melvin’s Bluenotes in 1969. Pendergrass went solo in 1976. Mr. Pendergrass is known for such hits as I Don’t Love You Anymore, Close The Door, Turn Off The Lights, Can’t We Try, Two Hearts, I Can’t Live Without Your Love, You’re My Latest, My Greatest Inspiration, Hold Me and many more.
Mr. Pendergrass was injured in a car accident in 1982. He suffered a spinal cord injury and was paralyzed from the waist down. He spent six months in a hospital but returned to recording the next year with the album "Love Language."
His son thanks all the fans of his father's music and says he will live on through his songs. He says the singer was loved by friends and family worldwide.
Teddy Pendergrass worked local Philly clubs and later became drummer and vocalist for Harold Melvin’s Bluenotes in 1969. Pendergrass went solo in 1976. Mr. Pendergrass is known for such hits as I Don’t Love You Anymore, Close The Door, Turn Off The Lights, Can’t We Try, Two Hearts, I Can’t Live Without Your Love, You’re My Latest, My Greatest Inspiration, Hold Me and many more.
Mr. Pendergrass was injured in a car accident in 1982. He suffered a spinal cord injury and was paralyzed from the waist down. He spent six months in a hospital but returned to recording the next year with the album "Love Language."
His son thanks all the fans of his father's music and says he will live on through his songs. He says the singer was loved by friends and family worldwide.
January 2, 2010
Artist Spotlight: Violette
Have you ever been to Paris? If not, don’t worry about it because I found a little piece of Parisian paradise that has made its way to the other side of the Atlantic. And its name is Violette. Violette, a native of Paris, is one of the most promising new jazz artists to hit the streets of Boston, New York, Prague, Dubai…and basically every other major city in the world. At the early age of 23, Violette has not only toured globally, but she has also recorded two albums in 2009 alone.
Violette studied piano and percussions at a Parisian conservatory and then began her singing career at the age of fifteen. In 2007 she moved to Boston, Massachusetts where she enrolled in the prestigious Berkelee College of Music to study arranging, songwriting, and performance. As a mark of her true musical talent and diligence, Violette has been able to record two albums, Innervoice and Joie de Vivre, in a time span of less than a year. Innervoice features song such as “St. Louis Blues” and “Love at First Night” where the upbeat tempos from the piano and snare drum along with sharp rifts from the saxophone create an atmosphere that seems to epitomize the very genre of jazz music. Joie de Vivre is Violette’s newest album and although it is appropriately labeled as jazz, songs like “Love of My Life” allow the listener to see Violette in a slightly different light that has reflections of alternative and acoustic rock. It is absolutely amazing that an artist as young as Violette can produce two distinct and unique sounds in the same year.
Upcoming Shows:
12/16/09: Salvatore’s in Lawrence, MA @ 8PM
1/23/10: Les Zygomates in Boston, MA @ 8PM
Violette on the web:
http://www.myspace.com/violettesings
http://www.reverbnation.com/violettemusic
Mwalim's "The Liberation Sessions" Sweeps Category Nominations for the 2010 NEUMA
BOSTON - "The Liberation Sessions" has definitely made an impression on the music scene in New England as a perusal of the New England Urban Music Awards nomination page will reveal. Mwalim received nominations for Best R&B CD, Best Spoken-word Artist, Best Producer, Best Caribbean Male Vocalist, Best R&B Single, and Best Caribbean Single for DEM BIG GIRLS.
In addition, artists appearing on the critically acclaimed CD also received nominations for their appearances on “The Liberation Sessions:” Soul singer, Phillip Aaron received a nomination for best R&B Male Vocals; Amaris nominations for best R&B Female Vocalist, Jazz Female Vocalist, and best Jazz Single for her appearance on The Bass Mint Bros “Awakened by a Noon Day Sun.” Tah Phrum Duh Bush earned a best Rap Single nomination for the remix of “Life & Death;” The Bass Mint Bros were nominated for Best Jazz Group; Tantra Zawadi got a nomination for best Female Spoken-word for her performance of “Tension;” and Robert Taylor, Jr. received a nomination for Best Latin Single for “YOU”. Liberation Music – MGM was also nominated for best production group.
The New England Urban Music Awards will take place on April 24, 2010 in Boston. Information including tickets and a complete list of nominees for the New England Urban Music Awards can be seen on-line at http://ne.urbanmusicawards.org/nominees/
“The Liberation Sessions: Soul of the City” CD is available on cdbaby.com/cd/mwalim, also as a download on iTunes.com, amazon.com, emusic.com and raphsody.com.
To See the music video DEM BIG GIRLS click the link below:
http://www.youtube.com/watch?v=ai2hKs5hpdI
December 14, 2009
NEW MUSIC: THE LIBERATION SESSIONS on CDBaby.com
BOSTON - THE LIBERATION SESSIONS: Soul of the City, by Mwalim (Liberation Music - MGM) is now available on CDBaby.com as both a physical CD and download.
Described as a soulful, funky groovy journey into sound, the CD hosts an A-List of guest artists an an eclectic blend of Soul, Funk, Jazz, House, Afro-Latin, and Hip-hop. Officially released on December 7, 2009 the CD has sold over 200 copies hand-to-hand. "Amazing how ou can roll through a club or a party with a CD for sale and folks will buy it," mused Mwalim who goes nowhere without at least 5 copies of the CD in his jacket pocket and a box in his trunk. "Sometimes you just have to go old-school about selling your music." Despite the reccent spikes in digital music sales, the Internet still can't beat the old fashioned car trunk hustle for sales.
Described as a soulful, funky groovy journey into sound, the CD hosts an A-List of guest artists an an eclectic blend of Soul, Funk, Jazz, House, Afro-Latin, and Hip-hop. Officially released on December 7, 2009 the CD has sold over 200 copies hand-to-hand. "Amazing how ou can roll through a club or a party with a CD for sale and folks will buy it," mused Mwalim who goes nowhere without at least 5 copies of the CD in his jacket pocket and a box in his trunk. "Sometimes you just have to go old-school about selling your music." Despite the reccent spikes in digital music sales, the Internet still can't beat the old fashioned car trunk hustle for sales.
December 9, 2009
ARTIST SPOTLIGHT: Otis Grove
Looking for instrumental tunes with intensely long guitar solos? How about adding the funky pop sound of a Hammond organ? And stringing it all together with the steady, soulful backdrop of snare drums? This combination, with each component equally distinct and innovative, is brought to life by a trio of guys from just down the river. The Charles River that is. Say hello to Otis Grove, natives of Allston, Massachusetts.
Otis Grove started out as a collective experiment that attempted to blend traditional jazz with funk, rock and roll, and even a little bit of Hip-Hop. And let me tell you they were more than successful. The boys of Otis Grove began to show their sound to the New England area in 2002 and a couple years later they self-recorded (and self-titled) their debut album in 2004. The album was an exposition of the band’s musical ingenuity, producing tracks like “Meet Me Halfway” and the exceedingly popular “Chicken and Biscuits” that emphasize guitar solos thereby expanding upon conventional jazz techniques.
The band’s most recent album, Crank It UP, was recorded after they signed with Ropeadope Records and was released in 2007. The trio was able to maintain their unique mixture of soulful organ melodies and grungy garage rock. The powerful guitar solos from Tyler Drabick give confidence to the funky, more eccentric stylings from Sam Gilman’s organ. These two clearly different musical techniques are held together by the steady yet lively drumming of Blake Goedde. Tracks like “Pure Luck” and “Pimp Juice” expose the group’s unwavering loyalty to the genre of jazz whereas songs such as “Crank It UP” show listeners the innovative and improvisational rock genius that is Otis Grove.
Although all three band members come from completely different musical influences ranging from The Roots to Led Zeppelin, they are united under one cause and one cause alone: educating the masses. Drummer Blake Goedde says, “Let’s educate people back to the 30s, 40s, 50s whenever there was great music all the time and people actually enjoyed listening to it!” So ladies and gentlemen are you ready to help Otis Grove in their honorable endeavor of musical revival? And if you’re more of a stay-at-home type of person I highly recommend “cranking up” your own life by trying out the tracks of this talented trio.
Otis Grove started out as a collective experiment that attempted to blend traditional jazz with funk, rock and roll, and even a little bit of Hip-Hop. And let me tell you they were more than successful. The boys of Otis Grove began to show their sound to the New England area in 2002 and a couple years later they self-recorded (and self-titled) their debut album in 2004. The album was an exposition of the band’s musical ingenuity, producing tracks like “Meet Me Halfway” and the exceedingly popular “Chicken and Biscuits” that emphasize guitar solos thereby expanding upon conventional jazz techniques.
The band’s most recent album, Crank It UP, was recorded after they signed with Ropeadope Records and was released in 2007. The trio was able to maintain their unique mixture of soulful organ melodies and grungy garage rock. The powerful guitar solos from Tyler Drabick give confidence to the funky, more eccentric stylings from Sam Gilman’s organ. These two clearly different musical techniques are held together by the steady yet lively drumming of Blake Goedde. Tracks like “Pure Luck” and “Pimp Juice” expose the group’s unwavering loyalty to the genre of jazz whereas songs such as “Crank It UP” show listeners the innovative and improvisational rock genius that is Otis Grove.
Although all three band members come from completely different musical influences ranging from The Roots to Led Zeppelin, they are united under one cause and one cause alone: educating the masses. Drummer Blake Goedde says, “Let’s educate people back to the 30s, 40s, 50s whenever there was great music all the time and people actually enjoyed listening to it!” So ladies and gentlemen are you ready to help Otis Grove in their honorable endeavor of musical revival? And if you’re more of a stay-at-home type of person I highly recommend “cranking up” your own life by trying out the tracks of this talented trio.
Otis Grove on the Web:
www.facebook.com/pages/Otis-Grove/125487145710
A Silent Genocide: A Brief Insight into HIV/AIDS
NEW YORK -- Brooklyn born performance poet/artist Tantra-zawadi, announced the released of a short documentary titled “A Silent Genocide: A Brief Insight into HIV/AIDS” today. Ms. Zawadi created this project in conjunction with Stony Brook University’s World AIDS Day banquet.
A Silent Genocide: A Brief Insight into HIV/AIDS, shot on location in New York City and Los Angeles, features a commentary by Betty Makoni, the founder of Girl Child Network Worldwide and a Top 10 finalist for CNN’s 2009 Heroes Award, offers insights into the personal experience of those living with HIV/AIDS. Through art and activism, A Silent Genocide shows viewers how these individuals are striving to decrease the staggering numbers of new infections.
A Silent Genocide is directed by Ms. Zawadi and Oliver Covrett of XYAYX Multimedia who also edited and produced the film. Musical contributions for the project include Tut Burks and Xavier Kemp with artwork by Shanna Melton.
This is Tantra-zawadi’s third project to raise awareness regarding HIV/AIDS. Her video “Scarlet Waters” was featured on the Product (RED) video wall as well as a PSA for Mark Herbert Productions/Betah and Associates.
Tantra-zawadi is an internationally known performance poet/recording artist and the author of “alifepoeminprogress.” She has performed her soul stirring life-poems to standing room audiences at venues all over the world; most recently at the Badilisha Poetry X-Change Festival in Cape Town, South Africa. Her latest projects include: “Girl – A Choreospective”, and collaborations such as The Love Planet EP by Collective Spirits, EARTHOLOGY by Floyd Boykin, Jr., and The Liberation Sessions by Mwalim.
A Silent Genocide: A Brief Insight into HIV/AIDS, shot on location in New York City and Los Angeles, features a commentary by Betty Makoni, the founder of Girl Child Network Worldwide and a Top 10 finalist for CNN’s 2009 Heroes Award, offers insights into the personal experience of those living with HIV/AIDS. Through art and activism, A Silent Genocide shows viewers how these individuals are striving to decrease the staggering numbers of new infections.
A Silent Genocide is directed by Ms. Zawadi and Oliver Covrett of XYAYX Multimedia who also edited and produced the film. Musical contributions for the project include Tut Burks and Xavier Kemp with artwork by Shanna Melton.
This is Tantra-zawadi’s third project to raise awareness regarding HIV/AIDS. Her video “Scarlet Waters” was featured on the Product (RED) video wall as well as a PSA for Mark Herbert Productions/Betah and Associates.
Tantra-zawadi is an internationally known performance poet/recording artist and the author of “alifepoeminprogress.” She has performed her soul stirring life-poems to standing room audiences at venues all over the world; most recently at the Badilisha Poetry X-Change Festival in Cape Town, South Africa. Her latest projects include: “Girl – A Choreospective”, and collaborations such as The Love Planet EP by Collective Spirits, EARTHOLOGY by Floyd Boykin, Jr., and The Liberation Sessions by Mwalim.
A Silent Genocide: A Brief Insight into HIV/AIDS
A Documentary by Tantra-zawadi
Filmed and Produced by Oliver Covrett, XYAYX Multimedia
Now on YouTube.com
November 18, 2009
Artist Spotlight: David Cain and The Senses
Somewhere in between reality and the subconscious lies The Senses. Led by David Cain, a resident artist at the Hoogland Center for the Arts in Springfield, IL, this experimental jazz group straddles the line between multiple genres including rock, funk, and soul. With his smooth yet strong voice, David Cain can at times be compared with Sting while the swells of texture and ambience are reminiscent of Pink Floyd. His band is an accomplished group, consisting of Howard Freitag on guitar, Jeff Cunningham on bass, Mike Newbury on drums, and David Hoffman on trumpet. Lyrics of life, love, and everything in between can be heard in the Senses’ music, making their efforts a wide ranging affair. The review for their newest album, “Need Want” can be checked out in our review section as well as their Grammy nominated, “Looking For Your Face”.
David Cain on The Web:
http://www.davidcain.me
http://www.thesenses.net
November 9, 2009
ARTIST SPOTLIGHT: Adam Payne
There is a new king of cool and his name is Adam Payne. If you tried to group him in a category with other artists you’d be hard pressed because he has created a niche all his own. Ranging from laid back R&B Grooves to stripped down acoustic performances, Adam Payne is sure to bring something to the table that everyone can enjoy.
Payne’s newest album, “The Quelling”, is a vibrant and soulful effort. Many of the songs sound like they belong on the radio and undoubtedly should be. Starting with the neo-soul of “Be Near Me”, with it’s synth intro that sounds like Super Mario in outer space, one can’t help but already feel the good vibes to come. The confident swagger in these songs is characterized by the subtle and simple yet effective beats that get stuck in your head. The atmospheric touches on tracks such as “Over And On Again” help lend a cool ghost funk, making “The Quelling” a unique achievement.
It is when Payne takes away the synths and extra layers and just plays acoustically on his album “Just Me” that the yearning in his lyrics take center stage, revealing a deeper level in his songwriting. The honest lyrics cut through and help give the songs substantial ground, such as on the track “Just Let Me In”:“I would die for you/I’d provide for you/I’d do anything to pull in the tide for you”. It is this vulnerability that Payne reveals with his acoustic strapped around his shoulder that is a crucial element in his ability to allow the listener to relate. While these songs are longer and more drawn out than those on “The Quelling“, they also show another side to him.
When Payne isn’t flying solo, he lets loose with his band 2ADAM12. Just when you think you have him pegged, Payne surprises you with a formidable and tight band that delivers a whole other kind of strut. Moving away from the groove wave of “The Quelling” to the poppy funk of 2ADAM12, Payne gets into full on jam mode. The reggae-slink of “Give It” comes out of left field and is an impressive display that is completely different from all his other songs. What is also a noticeable difference with 2DAM12 is the electric guitar solos that seamlessly guide through with a funky wah, helping give more of an edge on songs like “Ride”, which has a full on jam tacked on at the end for good measure.
When Payne isn’t flying solo, he lets loose with his band 2ADAM12. Just when you think you have him pegged, Payne surprises you with a formidable and tight band that delivers a whole other kind of strut. Moving away from the groove wave of “The Quelling” to the poppy funk of 2ADAM12, Payne gets into full on jam mode. The reggae-slink of “Give It” comes out of left field and is an impressive display that is completely different from all his other songs. What is also a noticeable difference with 2DAM12 is the electric guitar solos that seamlessly guide through with a funky wah, helping give more of an edge on songs like “Ride”, which has a full on jam tacked on at the end for good measure.
Let’s not forget the single “Chiclets In My Pocket”, a tongue-in-cheek ode to the bite size gum. The humor in this tune would be right at home as a Saturday Night Live digital short (check out the video on YouTube), and that speaks to its mainstream potential.
Unlike so many of today’s artists, Adam Payne is a true individual who does what he wants to do and that is something to be respected. A well rounded musician and singer/songwriter, be sure to remember the name Adam Payne.
Unlike so many of today’s artists, Adam Payne is a true individual who does what he wants to do and that is something to be respected. A well rounded musician and singer/songwriter, be sure to remember the name Adam Payne.
October 19, 2009
ARTIST SPOTLIGHT: Meet Shea Rose
BOSTON/ ATLANTA, GA - Shea Rose is a musical artist without boundaries; a stylistic chameleon if you would. Simultaneously breaking through and blending the genres of soul, rock, folk, funk and jazz, as music writer Andy Buckley put it, "she’s a singer-songwriter who can plug a hole in a soulful folk tune with a bit of rap. She’s a guitarist, which means in this day and age she stands out. So, respect the lady, the artist -- Shea Rose is a musician." A Boston native who's grandfather played jazz organ at the legendary (and sadly, long gone) Hi-hat club. Shea credits her ability to embrace rock and folk on her years (from age 12 on) in the mostly white Boston suburb of Braintree, where she was exposed to Bon Jovi and Guns-n-Roses.
Determined to break into the business, Shea decided to relocate to Manhattan. While in New York, she responded to an ad and was offered lead singer for a girl group, Mercy. After a short stint with the group, she decided to instead return to Boston, and work on her musical chops as a solo artist. First fronting for “a gang of old hippie white guys”, The Ripchordz, she later moved onto land a gig with the R&B band Luv Jones. “That’s when I learned how to capture an audience,” Shea says.
After a year of non-stop performing, Shea moved to Jamaica with her boyfriend from the band, Nathan Sabanayagam. Her evolution continued with a heavy course in reggae in its homeland, and learning how to play guitar. Shea the storyteller revealed herself in a more folk-acoustic fashion, such as “Light Fades” & “Lovin’ You". Returning again to Boston, she answered an ad on Craigslist, and was chosen as one of six writer-musicians to tour the country on a bus for MSN Music. While using her skills as a reporter, she wrote online articles for bands and concerts. Those close quarters with her busmates, representing different genres of American music, exposed to her even greater range of traditions -- and how the music industry works.
After three months, the tour was over and Shea realized how little experience she really had with music. Getting serious, she took Berklee College of Music up on a $10,000 World Tour Scholarship and enrolled in the spring of 2007. “I never realized how vast and theoretical music really is,” she says of her education. Plus, she took advantage of a grant to study for a semester at the Nakas Conservatory in Greece. While there, she quickly got exposure as an R&B performer, and was performing in clubs in Athens. “I came back from Europe with such a fire,” she says.
Since returning from Europe, Shea hit Berklee’s main stage (Berklee Performance Center - BPC) as the opener for the historic “Women in Rock” concert – a tribute to African American Women in Rock Music featuring Nona Hendryx, Joyce Kennedy and Cindy Blackman. She made a return trip to Europe (Naples, Italy) to collaborate with Cindy Blackman on a six song EP and she was called to open the 2009 New England Urban Music Awards.
Currently Shea is in the studio working on her new material. Her songs “Free Love” and “Light Fades” are featured on Berklee’s Heavy Rotation Records, Dorm Session 6 CD, a compilation featuring some of Berklee’s most outstanding talent. Meanwhile, she’s still working on her guitar playing. And polishing her songwriting craft is also paying off – she was currently featured as the Spotlight Artist of the Month on producer, Dallas Austin’s website – Rowdy TV.
With a powerful voice and electric presence, Shea Rose could do just fine as a simple performer in contemporary American music. But there’s a depth and breadth to this artist -- ever-expanding -- that takes any audience further. The best musicians are on a journey, and every new listener is glad to join Shea Rose on hers.
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